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ISEA &
FOCUS QUÉBEC 2025

Bill Vorn

I.C.U. (Intensive Care Unit)

Friday, May 23 to Thursday, May 29
10am to 7pm
Closed Monday, May 26

Seoul Arts Center
Seoul Calligraphy Art Museum

I.C.U. (Intensive Care Unit)

This is a digitalization of the physical installation I.C.U. (Intensive Care Unit). I.C.U. (Intensive Care Unit) is a robotic installation staging bedridden, sick, and suffering machines that react to the presence of viewers in a disjointed medical allegory where the mechanical creatures and their life support system start to move with pain and struggle, stretch, curl up, dislocate and resume form. The strength of the simulacrum is emphasized by the inevitable instinct of anthropomorphism and projection of our internal sensations, a reflex triggered by any responsive phenomenon that challenges our senses.

Bill Vorn

Based in Montreal, Bill Vorn is active in the field of Robotic Art since 1992. His installation and performance projects involve robotics and motion control, sound, lighting, video and cybernetic processes. He pursues research and creation on Artificial Life and Agent Technologies through artistic work based on the Aesthetics of Artificial Behaviors.
He holds a Ph.D. degree in Communication Studies from UQAM (Montreal) for his thesis on Artificial Life as a Media. He teaches Electronic Arts in the Department of Studio Arts at Concordia University (Intermedia/Cyberarts program) where he holds the rank of Full Professor.
His work has been presented in multiple international events, including Ars Electronica, ISEA, DEAF, Sonar, Art Futura, EMAF and Artec. He has been awarded the Vida 2.0 award (1999, Madrid), the Leprecon Award for Interactivity (1998, New York), the Prix Ars Electronica Distinction award (1996, Linz) and the International Digital Media Award (1996, Toronto). He has worked in collaboration with many canadian artists (including Edouard Lock, Robert Lepage, Gilles Maheu, LP Demers and Istvan Kantor). He was cofounder of the electronic pop music band Rational Youth with Tracy Howe in 1981.

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