Metamonument

In the age of online platforms and file-sharing, monuments are no longer merely statues frozen in public spaces.
Overview









Information
Metamonument is conceived as a "monument of the present" dedicated to the metacrisis—that entanglement of ecological, economic, and political crises that defines our era. The installation questions what a monument can be today: no longer a permanent block, but a shifting apparatus that circulates images, narratives, and perspectives. Informed by a collaboratively developed manifesto, it highlights the concentration of wealth and data in the hands of a minority, and proposes remixing, sharing, and reappropriation as potential responses to the proprietary logic of digital capitalism.
The work unfolds as a constellation of images and objects: transparent prints on light boxes, 3D-printed volumes and bas-reliefs, textiles, vinyl cutouts, and animations on screens controlled by microcontrollers. Derived from AI-generated images that have been reworked, these elements circulate between fragile materiality and online proliferation, sketching a landscape of artifacts that are simultaneously precarious, reproducible, and connected.
Credits
Writing collaboration
Gina Cortopassi
Technical supervision
Maxime-Alexandre Gosselin
Voice
Catherine De Sève
Sound composition
All Is Well / Fred Everything
Exhibition catalogue design
Miwa Kojima
Oli Sorenson would like to thank the Conseil des arts et des lettres du Québec for its support.
Exhibition installation
Bon Matin Studio
Text printing
Atelier Circulaire
Venue
ELEKTRA Gallery

