An acclaimed multidisciplinary artist with more than three decades of experience in media arts, Herman Kolgen lives and works in Montreal. An audiocinetic sculptor, he draws his raw material from the intimate relationship between sound and image. Kolgen creates pieces that take on the form of installations, video and film works, performances and sound sculptures. He works in a constant cycle of exploration, at the crossroads of different media, to conjure up a new technical language and a singular aesthetic. The impact of territories on human life lies at the heart of his conceptual pursuits. The resulting brutal tensions as well as the interplay between various elements consitute the epicentre of his practice. His multifaceted work is characterized by a radiographic approach. It’s this x-ray effect, with its immaterial quality, that allows the invisible to be seen.
3240 x 1080 px video, audio 2.1
Commissioned by Paradise City - Incheon (KR)
Constraints and transformations go hand in hand in this world where human beings, caught between the infinitely large and the infinitely small, remain connected to everything.
Ironically, the ongoing global pandemic triggered by covid-19 bitterly forces the entire human society to evoke this ignored axiom again, which becomes the inspirational igniter of this work.
Based on this observation and the chain reactions imposed on us by this context, LifeFORM explores the “humble position” we occupy between the visible and the invisible, defined by our interdependence on all forms of life. Thus, subjected to both biological and genetic random mutations, to temporal and geographical conditions, our species has no choice to metamorphose and innovate.