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BIO

Lu Yang (b. Shanghai, China) is a multi-media artist based in Shanghai. Mortality, androgyny, hysteria, existentialism and spiritual neurology feed Lu’s jarring and at times morbid fantasies. Also taking inspiration and resources from Anime, gaming and Sci-fi subcultures, Lu explores his fantasies through mediums including 3D animation, immersive video game installation, holographic, live performances, virtual reality, and computer programming. Lu has collaborated with scientists, psychologists, performers, designers, experimental composers, Pop Music producers, robotics labs, and celebrities throughout his practice. Lu Yang has held exhibitions in UCCA (Beijing), MWoods (Beijing), Cc Foundation (Shanghai), Spiral (Tokyo), Fukuoka Museum of Asian Art (Fukuoka, Japan), Société (Berlin), MOCA Cleveland (Cleveland, Ohio). He has participated in several international biennials and triennials such as2012 & 2018 Shanghai Biennial, 2018 Athens Biennale, 2016 Liverpool Biennial, 2016 International Digital Art Biennale (Montreal), China Pavilion, the 56th Venice Biennale, and 2014 Fukuoka Triennial. In 2019, Lu became the 8th BMW Art Journey winner and started Lu Yang Digital Incarnation project. 

luyang.asia

LU YANG [CN] 

Playing on my mind, 2020  

METAMORPHOSIS - MONTREAL

Arsenal Contemporary Art [QC-CA] 

10.1 - 10.31,  2020

Video  

Lu Yang’s video for The 1975, commissionned by Ben Ditto, is performed in the virtual world by his nonbinary digital alter-ego Doku, whom he’s constructed using the latest in 3D scanning, motion capture and digital modelling technology. “In the virtual world,” says Yang, “I was able to do things such as choosing my own gender-neutral body and creating an appearance that reflects my own sense of beauty, which are not possible in real life. I consider Doku as my digital reincarnation. He is me but someone else at the same time.” “On a planet where time and space no longer limit our minds,” says Yang, “to live is to create and explore. Emptiness and loneliness become the ultimate romance.” 

  

LuYang shows us how our shared virtual world, the world of digital creation and imagination, the world in which you’re watching his film, is not so different from the planet without time and space of his imagination: it’s a creative place where we can play with our identities and explore ourselves, our many parallel selves, and prepare those selves for new dimensions and universes. A whole new cosmos of infinite possibility stretches before us.  

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#104, Montreal 

QC, Canada H2T 3B2 

514-524-0208

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